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				| BEN FROST / KLIMEK |  
				| // Date: 24 February 2011
// Venue: Elektroakustischer Salon / Berghain, Berlin 
// Doors: 20:00 
// Tickets: 16 € pre-sale (plus fees) / 19 € box office 
// Online pre-sale at Koka36
 
The music Ben Frost (born 1980 Melbourne Australia, lives Reykjavík Iceland)  is about contrast; influenced as much by Classical Minimalism as by Punk  Rock and Metal, Frost's throbbing  guitar-based textures emerge from  nothing and slowly coalesce into huge, forbidding forms that often  eschew conventional structures in favor of the inevitable unfoldings of  vast mechanical systems. “…The emotional power of Frost's music comes precisely from the stark  contrast between extremely basic musical material and the deadly virtual  instruments he invents to perform it… This is Arvo Pärt as arranged by  Trent Reznor” – Wire Magazine, 2007  On albums like Steel Wound, released on the Room40 label in 2003 (Pitchfork: “An exemplary ambient experience”), Theory of Machines on Bedroom Community in 2007 (Boomkat: “The Future of electronic music…”) and 2009's BY THE THROAT (NME:  “a hollow, unforgiving, brutal yet utterly beautiful record, full of  deep intricacies that won’t let you go.”) Frost’s music is more than a  cerebral exercise and has an undeniable visceral presence, felt as much  as heard. His compositions are created with an acute awareness of the  listener and their comfort thresholds, exploiting every extreme of pitch  and volume. His notorious, building-shaking performances at  international festivals including Montreal’s famed MUTEK combine  amplified electronics with the furious thrashing of live guitars. Frost  himself has been described as “one of the most interesting and  groundbreaking producers in the world today” (Boomkat). His music’s  intense physicality has filled gallery spaces and driven contemporary  dance productions by Chunky Move, the Icelandic Dance Company, and the  acclaimed choreographers Erna Ómarsdottír and Wayne McGregor.
 
We have taken the liberty to add a live performance of Klimek  prior to the performance of Frost. Klimek is one of the alter egos of  musician and artist Sebastian Meissner, who under his various guises,  has released his captivating musical experiments on renowned electronic  music labels, such as Sub Rosa, Kompakt, Mille Plateaux, Ritornell and  Anticipate. He works as a media artist using sound, video and  photography. Employing multiple artistic personas (Autokontrast,  Autopoieses, Bizz Circuits, Klimek, Open Source, Random Industries,  Random Inc), his works deal with and negotiate urban/cultural/social  scenarios, randomness, historical music archives and strategies of  networking. He works with computer music sources, sampling and  photography assembling their interrelation within  geographic/historical/political discourses. His last album Movies is Magic  was influenced by Slavoj Zizek's theories on film and sounds "like an  orchestra restructured in the digital domain, the remnants at the core  of each piece on Movies is Magic lend themselves less to conservatory  comparisons than filmic ones. Large, picturesque settings produce  emotionally compelling mini-narratives, while warm, open progressions  balance with the multi-layered shadows that are expected from a Klimek  album". (DATA BLOEM )
 
Meissner has also worked for the Deleuze/Guattari influenced media label Mille Plateaux and established the network platform Intifada Offspring to explore new perspectives on the middle-east. 
 
› www.ethermachines.com 
› www.random-industries.com
 | > February 24, 2011 
 
 
 
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