Philip Auslander's primary research interest is in performance, especially in relation to music, media, and technology. He has written on aesthetic and cultural performances as diverse as theatre, performance art, music, stand-up comedy, robotic performance, and courtroom procedures. He is the author of five books and editor or co-editor of two collections. His most recently published books are
Performing Glam Rock: Gender and Theatricality in Popular Music (2006) and the second edition of
Liveness: Performance in a Mediatized Culture (2008). In addition to his work on performance, Auslander contributes art criticism regularly to
ArtForum and other publications. He is the editor of
The Art Section: An Online Journal of Art and Cultural Commentary
› theartsection.com
Appearances:
› CTM.11 › INTERFACE KEYNOTE: DIGITAL LIVENESS – REALTIME, DESIRE AND SOCIABILITY
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