Daniel Martin McCormick, known for projects such as Mi Ami and Sex Worker, works under his Ital alias at creating his own idiosyncratic post-historic reading of key moments in the electronic hedonism of the last three decades. For this mission, he abandoned the post rock, white krach and hypnagogic of his usual creative comfort zone to concoct a soulful brew of outside house, along with a handful of maxis on labels such as Lovers Rock and 100% Silk. He thereby managed to deliver some of the most delirious dance-floor fillers it has been our pleasure to tilt to in the last twelve months, on a tightrope swung seemingly between warehouse, Hazienda and crop circle rave.
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