Mikomikona focuses on the dynamic and transformative abilities of technical generated sound and image. By the use of cameras and self-developed analogue electronic devices they re-use overhead projectors as opto-acoustic synthesizers. Overlaying black and white structures on transparent films create complex moiré and interference patterns, which then are converted into electric signals and thus into sound. This way Miko Mikona uses the potential simultaneousness of analogue switchgears and sets the paradigm of the synthesizer (analogue modulation) against the one of the digital sequencer (serial bars).
> 2005 > CROSSED SIGNALS
> 2005 > 'PRYJAZN/FREUNDSCHAFT' – CTM @ Unsound Festival