Goodiepal, as a musician and artist, blazes his own completely independent trail, in connection with both his musical language as well as his critical examination of the systems of music economics and musical training. His concerts transport those attending into a bizarre world of execution through the relationship of language, music and mediality in which the sound river of the spoken word itself becomes a musical happening. In the process, Goodiepal provides not only a fascinating perspective on the history and impact of music but also skilfully transports his listeners into a condition of the highest concentration. In a humorous way, he makes it possible to experience his essentialistic concept of music, in which immediacy, presence, wilfulness and communication confront the passivity of consumption and the conformity of commercial music.
 
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